Week 173 – On Christmas Day

Not exactly full of Christmas cheer, this week’s entry. Nor does this bleak song portray the Redeemer as a particularly forgiving or compassionate deity. It’s quite widely sung these days, but has been rarely collected. In fact pretty much every version you hear around the folk scene is likely to derive directly or indirectly from the version recorded by Fred Hamer from the wonderful Shropshire gypsy singer May Bradley, or that collected in 1912 from her mother Esther Smith by Ralph Vaughan Williams and Ella Leather.

You can hear May Bradley singing the song on the EFDSS CD A Century of Song, and on the Musical Traditions disc Sweet Swansea. Her mother’s singing had also been recorded – on phonograph cylinder – although unfortunately we’re not in a position to hear that.

On the EFDSS cassette The Leaves of Life – following on from May Bradley’s singing of ‘Under the Leaves’ – you can hear the moment when Fred Hamer realises that she is the daughter of Esther Smith. Hamer seems to get quite excited at the Vaughan Williams connection, but Mrs Bradley is clearly unimpressed by any mention of “the greatest composer in this country”. It’s a lovely insight into the cultural chasm that could exist between singer and collector.

Another version of the song, collected from an unnamed gypsy singer in the New Forest, is titled ‘In Dessexshire as it Befel’. You can download a PDF of that version from http://spellerweb.net/cmindex/Gipsy/Dessexshire.html

The notes on that site say

This curious carol was one of a number collected by Alice Elizabeth Gillington (1863-1934), a clergyman’s daughter and student of gypsy culture who herself spent the last quarter century of her life as a gypsy. The Herefordshire gipsy carol, On Christmas day it happened so is a variant of this one.

I’ve almost known the words of this song for years, and recently decided it was time I learned it properly. Incidentally, this is not the only Christmas song from Shropshire where the sins of the farmer are visited upon his livestock – see also ‘The Man that Lives’.

On Christmas Day

Week 29 – Sweet Swansea

One of my favourite songs, and another from the wonderful May Bradley (see last week’s post). I learned this from the book Garners Gay, prompted by having heard the song on the LP  Rose of Britain’s Isle by John Kirkpatrick and Sue Harris. I adjusted the way I sing ‘Sweet Swansea’ a little bit after hearing May Bradley herself sing it on the Garners Gay LP. In particular I really liked the way she repeated the last verse, but changing the words ever so slightly. It was the lack of this feature on either of the versions included on the Musical Traditions CD Sweet Swansea which made me realise that some of the recordings from the 1971 EFDSS LP had not (initially) been included on this CD. It turned out  that the National Sound Archive had provided Rod with all of the recordings they had of Mrs Bradley – which, sadly, suggests that one reel of tape must have gone missing at some point between 1971 and 2010; hopefully this will reappear at some point.

According to May Bradley the song was based on an actual incident, and had been written by her “double great grandfather”; and it’s certainly the case that only one other version is known to have been collected, by Cecil Sharp in 1907, from Caroline Passmore, Pitminster, Somerset.

 

Sweet Swansea

Week 28 – The Outlandish Knight

When, in my late teens, I became fascinated with traditional song, I looked in my local public library to see what songbooks they had on the shelves. As I recall there were just three: a volume of songs collected by Sharp, Seeger and MacColl’s Singing Island, and Garners Gay by Fred Hamer (to be fair, they added Peter Kennedy’s monumental Folk Songs of Britain and Ireland a little while later). Of these three, Garners Gay  was, and has remained, my favourite. It contains some lovely songs, and I liked the way that Fred Hamer’s notes talk as much about the singers as the songs.

This is one of the songs I learned from the book. It was collected from May Bradley, a gypsy singer settled in Ludlow. It was several years later that I actually got to hear a recording of Mrs Bradley’s singing: in 1988 the Vaughan Williams Memorial Library released the cassette The Leaves of Life featuring previously unheard Fred Hamer recordings; and around the same time I came across the old EFDSS LP Garners Gay, which included May Bradley singing this song. On listening to these recordings it was immediately apparent that May Bradley was a very fine singer indeed, so I was delighted when, a couple of years ago, Rod Stradling’s Musical Traditions label put out Sweet Swansea, a whole CD of her songs. If you want to know just how good I thought this CD was, you can read my review; or you can just go straight ahead and buy it – if you’re a fan of traditional singing you really won’t regret it.

Incidentally, I’ve always called this ‘The Outlandish Knight’ because that’s what it’s called in Garners Gay. But May Bradley called it ‘The Dappledy Grey’, and actually she makes no mention of an outlandish knight – her version starts “Now it’s of a Turkey he came from the north land”. Fred Jordan, who was born in Ludlow and knew May Bradley well, had a very similar version of the song, which he called ‘Six Pretty Maids’. He had learned his version from members of another local gypsy family, the Lockes.

The Outlandish Knight